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Missa in G Nokki dubious 6 [Weinmann XIX:G6]

Wanhal ?
Nokki dubious 6
Weinmann XIX:G6

Attributed name: Johann Baptist Wanhal

Authenticity: Dubious Attribution

This work survives only in one peripheral source. It is stylistically plausible in, but employs tempo markings that either are not found in other masses (andantino) or seem unusual for their context (andante for the Kyrie), and no other work sets the Crucifixus as a separate movement. The continuo section being tacet in the Gratias and Et incarnatus is also highly suspect. Note that each section of the mass seems to be set in different tonalities, and that the Credo does not end with the same tonalities as it began. As with Nokki dubious 4, this might be a mixing of music from different sources, where one or more movements are by Wanhal, but it has not been possible to provide any examples of borrowings from other works.

Instrumentation:

Orchestra: 2 ob.oboe , 2 cor.corno (horn) , 2 vl.violino , va.viola

Choir: S.soprano , A.alto , T.tenore (tenor) , B.basso (bass)

Soloists: S.soprano , A.alto , T.tenore (tenor) , B.basso (bass) , 2 electronics, 2 va.viola

Extent: 1389 bars