Missa in C Nokki 08 [Weinmann XIX:C9]

Wanhal ?
Nokki 08
Nokki 09 (abandoned)
Weinmann XIX:C9

Authenticity: Probably Authentic

This is one of the 'Domine Deus' masses, whose unified style and widespread attribution to Wanhal marks him as the author beyond reasonable doubt.

Variants

In addition to the original version, this work exists in at least one abbreviated version, where the following changes have been made to movements:

* Gloria is replaced by a new movement;
* Kyrie II is replaced by a repetition of Kyrie I;
* The entirety of the Gloria text up to the Quoniam movement is telescoped into the opening movement, and the four intervening movements removed;
* The Et vitam fugue is replaced by a short repetition of music heard previously in the Et resurrexit movement;
* Benedictus and Osanna II (a da capo of Osanna I) have been replaced with a separate Benedictus with an internal Osanna II section;
* The Dona Nobis has been removed in favour of a contrafactum of the Kyrie.

In addition to this, there appear to be a number of smaller cuts. There is little reason to believe that Wanhal had any part in these changes, and the inserted movements are not found in any of his other works.

There are slight differences in the content of the opening Kyrie, and this originally caused these works to be catalogued separately. For this reason, Nokki 09 is no longer in use.

1 Sept 1878	Performance of Schottenstift copy
21 Sept 1879	Performance of Schottenstift copy
25 Sept 1881	Performance of Schottenstift copy
24 Sept 1882	Performance of Schottenstift copy
5 Aug 1883	Performance of Schottenstift copy
25 Oct 1885	Performance of Schottenstift copy
24 Nov 1889	Performance of Schottenstift copy

Original version

Music

Kyrie

Sections

1. Kyrie I

Tempo: Andante molto
Metre: 3
4

Key: C major

Extent: 150 bars
2. Christe

Tempo: Andante
Metre: 3
4

Key: F major

Extent: 172 bars
3. Kyrie II

Tempo: Allegro
Metre: 𝄵

Key: C major

Extent: 106 bars

Gloria

Sections

4. Gloria

Tempo: Allegro moderato
Metre: 𝄵

Key: C major

Extent: 129 bars
5. Laudamus

Tempo: Andante
Metre: 2
4

Key: G major

Extent: 137 bars
6. Gratias

Tempo: Allegro moderato
Metre: 3
4

Key: C major

Extent: 106 bars
7. Domine Deus

Tempo: Andante
Metre: 3
8

Key: F major

Extent: 126 bars
8. Domine Deus Agnus Dei

Tempo: Adagio
Metre: 𝄵

Key: C major

Extent: 62 bars
9. Quoniam

Tempo: Moderato
Metre: 3
4

Key: C major

Extent: 167 bars
10. Cum Sancto Spiritu

Tempo: Adagio
Metre: 𝄵

Key: C major

Extent: 7 bars

Credo

Sections

11. Credo

Tempo: Allegro
Metre: 3
4

Key: C major

Extent: 100 bars
12. Et incarnatus

Tempo: Adagio
Metre: 3
4

Key: D major

Extent: 90 bars
13. Et resurrexit

Tempo: Allegro
Metre: 3
4

Key: C major

Extent: 117 bars
14. Et vitam

Tempo: Allegro
Metre: 2
4

Key: C major

Extent: 83 bars

Sanctus

Sections

15. Sanctus

Tempo: Andante
Metre: 𝄵

Key: C major

Extent: 10 bars
Pleni sunt coeli

Tempo: Allegro
Metre: 3
4

Key: C major

Extent: 19 bars
16. Osanna I

Tempo: Allegro
Metre: 3
8

Key: C major

Extent: 32 bars
17. Benedictus

Tempo: Andante molto
Metre: 3
4

Key: F major

Extent: 137 bars
18. Osanna II

Tempo: Allegro
Metre: 3
8

Key: C major

Extent: 32 bars

Agnus Dei

Sections

Sources

Performance parts, Schottenstift, Vienna

[Classification: notated music, manuscript, copy, parts, complete]

Back of last page, tenor ripieno part: Sonntag, den 1. September 1878 / Sonntag, den 21. Sept. 1879 / Sonntag, den 25. Sept. 1881 / Sonntag, den 24. Sept. 1882 / Sonntag, d: 5. August 1883 / Sonntag, d: 25. Oct. 1885 / Sonntag, d. 24. Novbr 1889

Contains separate parts for ripienists and soloists for each vocal part, as well as two trombones parts which are almost certainly local additions. No title page.

A-Ws E 2/7.